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RUSH: Snakes and Arrows Live [Blu-ray] | ![RUSH: Snakes and Arrows Live [Blu-ray]](http://ecx.images-amazon.com/images/I/51G0qRi6OuL._SL160_.jpg)
enlarge | Director: Rush Actor: Rush Studio: Zoe Records / Pgd Category: DVD
List Price: $29.98 Buy New: $18.99 You Save: $10.99 (37%)
New (13) from $18.99
Rating: 86 reviews Sales Rank: 487
Format: Ntsc, Widescreen Language: English (Original Language) Rating: Unrated Media: Blu-ray Region: 1 Aspect Ratio: 1.78:1 Number Of Discs: 1 Running Time: 221 Minutes Shipping Weight (lbs): 0.2 Dimensions (in): 6.6 x 5.3 x 0.4
MPN: MCMBR01143113 UPC: 601143113499 EAN: 0601143113499 ASIN: B001GJOL22
Theatrical Release Date: November 24, 2008 Release Date: November 24, 2008 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Condition: Brand new; still in shrink wrap!!
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Product Description Studio: Uni Dist Corp (music) Release Date: 11/25/2008
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| Customer Reviews: Read 81 more reviews...
Amazing! January 3, 2009 Louis Cossette RUSH: Snakes and Arrows Live [Blu-ray] It's incredible to see the picture quality on this Blu-ray. You can see the sweating on the guys and their wrinkles. The unreal quality of the colors is so impressive that with your own eyes you'll never be able to see that. The camera work is perfect with any kind of angle but for the most part, it offer some stunning close shots. The light show is captured also with some distant shots of the stage.
audio/video not in sync January 2, 2009 stixman 0 out of 1 found this review helpful
Big Rush fan, first Blu-ray DVD, very disappointed! The video is great as is the audio, but many songs ( especially Neil's drum solo and Working them Angels) the video does not line up with the audio. Being a musician myself, it drives me crazy knowing this. Even if you are NOT a musician, you can see and hear that the two do not line up. Anyone else notice this same issue? It's not my player or system, because when I watch the Atlanta Bootlegs bonus material, it lines up just fine. At times if you watch the video screen behind the band it lines up perfectly, but if you watch the band the sound is about a 1/2 second BEHIND the video. Great DVD to have if you can get over the out of sync issue.
Excelent. January 2, 2009 Kramer Drummer (Mill Creeek, WA United States) 1 out of 1 found this review helpful
Finally Blu-Ray. As stated here several times, this is the best RUSH show ever recorded on DVD. Now lets wait and see if Dream Theater follows and releases a Blu-Ray concert with anchored cameras that move smooth accross the stage so we won't get dizzy while watching. RUSH have been setting the production trends when it comes to this genre of music so I can't wait to see Dream Theater learning something here.
Wow, this is awful! December 31, 2008 Kelsey 2 out of 16 found this review helpful
What an awful band. After this, I want to "Rush" to the nearest toilet and barf! LOL! That Geddy Li guy sounds like he's been sucking on way too many helium balloons, he sounds like a chipmunk! The drummer, Neil Pearl or something, is horrible. He only plays in 4/4 rhythm! He should take a cue or two from Lars Ulrich from the St. Anger album. Not to mention the lame guitar work and inaudible bass. Skip this generic classic rock junk and stick with the masters like Britney Spears.
Quite simply... Awesome! December 31, 2008 The Camera Eye (Bowie, Maryland USA) 3 out of 3 found this review helpful
I was just thinking about it and it occurred to me that this is a perfect product for me to review. Why? Rush has been my favorite band since 1978. Ok, Dream Theater has tied that mark since 1992, but I digress... I am a semi-professional photographer (i.e. picture quality) for 6 years (and a photographer for 35 years & have been a more than obsessive hobbyist, but the recording kind (6 CD's in the last 18 years), musician for 25 years, with Rush as one of my key influences. And of course, I've seen them on every tour since 1980 and I saw them 5 times on the tour from which this was culled. So, OK, it's not from a neutral perspective. But it is from a very knowledgeable perspective. This review is from one Rush fan to another... With that said, having seen the show twice on leg 1 and 3 times on leg 2, I can say the contents of this DVD compared to my memory of the five shows I saw ranks equal to the second best of those two and thus slightly less than the best show out of all five. The first leg shows were unique in that not 1, but 3 songs that either had not been played live at all (Entre Nous) or not in roughly 24 years or more (Digital Man, Circumstances) were included in the setlist. Only Digital Man remained from those 3 in the second leg. However, Ghost of a Chance, a gem of a song from Roll the Bones, which had been sadly ignored since that tour, was added in place of Entre Nous on the second leg and a few more classic standards were played as well. This tour included the most material from a new album by Rush (Snakes & Arrows) since the late 80's, and the quality of the newest album warranted this. Rush is the type of band that likes to settle on a set list and continue perfecting the execution of it throughout the tour. From a very old interview, I recall them saying they wanted every fan to have the same experience. This would explain the similarity in the show throughout a tour. The nature of their perfectionism seems to allow them to do this and stay interested. Anyway, to specify the items which I believe are highlights, I would say that Digital Man is definite highlight. The arrangement is altered slightly to remove the middle iteration of the bridge and head straight into the solo section, and execute the bridge as only an outro with Geddy Lee jamming the bass out on it instead of being locked to a keyboard. That part always seemed awkward and what they did in terms of arrangement was precisely what I had hoped for. Oddly, though this is a highlight, I believe that Alex nailed the solo slightly better on several of the shows I saw, especially the one in Orlando, which is why I rate it higher. He still nails it here, just slightly sloppier on the fast lick. I'm nitpicking, but it's true. The next highlight is Freewill. Surprisingly, since I thought the Exit Stage Left version was so perfect. And while that's true, there are several reasons why this one stands close to that, or alongside it. First, the solo section is simply amazing. In particular, the camera work - which is stunning throughout this video - is absolutely amazing on this song's solo section. It has to be seen to be believed and the band just nailed it too. Perhaps the Exit Stage Left guitar shreds slightly hotter and Neil drums a little harder then, but there's a maturity in the execution here that compensates, and the intensity level is still so high, it shouldn't be plausible for men their age, LOL. Oh yea, and Geddy nails the high notes on the Bridge, just as he did in each of the shows I saw. There are many, many more highlights, and every song lives up to any other version you may have seen elsewhere, so I won't belabor each one in agonizing detail. I will move onto sound quality. This is the best sound quality of the three modern era videos/DVD's they've released, hands down. I have a DVD version as well that I play if I'm somewhere where Blu Ray isn't convenient. So I've played the audio through both my surround system in my house and through the system in my car's DVD/CD/NAV. In the car, when choosing the surround option, I have noticed that Geddy's bass sound stands out in a way where his tone is particularly distinguishable and it is positively perfect. It has the growl, the grind, of his Moving Pictures sound. The Fender Jazz is the reason and it is doing the job superbly. Every instrument is clear and powerful, both crisp and punchy at the same time, and they sound excellent in both the car and at home. A stellar job. Finally, I will get to the camera work. This is as much a highlight of this DVD as Rush is. The work is so good throughout it absolutely slays the rest of their videos. In Blu Ray it is possible to see the crispness of the work also. You realize how quickly and precisely these excellent professionals obtain and maintain subject focus. This has to be one of the best crews I've seen. I know it's at least partly automated because of the occassional view of the auto camera sliding across the front of the stage. And there are numerous angles, allowing a perfect mix of angles for the Rush fan to see. Every time you think they couldn't get tighter, the angle gets tighter. This is ultimately typified by the work on Freewill, as mentioned above. One thing I would elaborate on is to get into the Bonus material from Atlanta. I do not feel this crew did quite as good a job as the Rotterdam crew. It was good but not at that level. This is especially noticeable immediately. On the first song, Ghost of a Chance, there is a lot of Red in the lighting. As a photogrpher that attempted to photo this band in the early 80's (when they were still cool enough to let you bring in a 35mm SLR), I know Red is the biggest pain in the tush for getting sharp pictures. Nevertheless, these are pros getting paid big money, and the shots are clearly back focused and Geddy is softly focused. There are a few other instances in this 26 minutes of Bonus material where you see the slightly lesser quality of the work by the cameraman. Having said that, I would like to point out that I have also watched this on DVD on a standard resolution TV. And I would like to say that this Bonus material offers the perfect opportunity for anyone trying to convince their spouse or whomever that Blu Ray is significantly better, the reason why that is. The focus issue that was utterly obvious on Blu Ray is totally undiscernible on a standard resolution TV. It's already so much softer, it's evened out. It's a perfect tool to make that point completely clear. The setlist here has quite a few of the standards but contains so much material that is newly available, it is well worth it for that reason alone. However, this is a Top Quality performance among Top Quality Shows - clearly among the best. And this is the best camera work I've ever seen on a live DVD. The audio is at least nearly the best, if not the best, that I've heard as well. Pure quality on every front.
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