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The Architect [Blu-ray]

The Architect [Blu-ray]

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Director: Matt Tauber
Actors: Anthony Lapaglia, Viola Davis, Isabella Rossellini, Hayden Panettiere, Sebastian Stan
Studio: Magnolia
Category: DVD

List Price: $24.98
Buy New: $9.90
You Save: $15.08 (60%)



New (25) Used (8) from $8.94

Rating: 2.5 out of 5 stars 3 reviews
Sales Rank: 82377

Format: Color, Dolby, Subtitled, Widescreen
Languages: English (Original Language), Spanish (Subtitled)
Rating: R (Restricted)
Media: Blu-ray
Region: 1
Aspect Ratio: 1.78:1
Number Of Discs: 1
Running Time: 82 Minutes
Shipping Weight (lbs): 1
Dimensions (in): 7.1 x 5.4 x 0.6

MPN: MAGBR10069
UPC: 876964000697
EAN: 0876964000697
ASIN: B000K4X5Y4

Theatrical Release Date: 2006
Release Date: December 5, 2006
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Brand new Item. CD, DVD, Book, VHS more than 400 000 titles to choose from. ALL days Low Price !

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Editorial Reviews:

Product Description
Studio: Magnolia Pict Hm Ent Release Date: 07/29/2008 Run time: 81 minutes Rating: R

Amazon.com
Anthony LaPaglia, an expert at playing the conflicted Everyman, notches another such character in The Architect, a low-budget adaptation of a play by David Greig. LaPaglia plays a Chicago architect, complacent in his teaching theories and obsessed with his scale models, who doesn't comprehend the effect of his designs on the people who actually live in his buildings. Case in point: an eighties-era housing project, now overrun by gangs, drugs, and despair. It's gotten so bad that resident Viola Davis (World Trade Center) is petitioning the city to tear the place down, and she's approached the architect about signing. Meanwhile, the movie ranges across the families of both characters, including LaPaglia's massively confused teenaged kids (Hayden Panettiere, Sebastian Stan), both of whom are trying on unfamiliar sexual roles. Isabella Rossellini plays LaPaglia's dazed wife, who straightens up the house in order to stave off the unhappiness of her marriage. In short, there's a lot going on here, too much for the brief running time of the movie; these people tend to have emblematic traits and not much else. Enlivened by actors, that kind of thing can work better on stage than in film, where the material feels skeletal. LaPaglia and Davis are in excellent form, however, and earn some of the power of the final moments. --Robert Horton


Customer Reviews:

1 out of 5 stars ordinary people 30 years later   May 12, 2008
S. Funk (springfield, il)
0 out of 1 found this review helpful

this movie was one of the most depressing I have seen in 10 years. The DVD jacket could be called "bait and switch". nothing was said about the lack of dimension of the characters. If looking for a good movie along this type that truly is a character study try "Ordinary People".


2 out of 5 stars Waste of Money   September 28, 2007
Just One Perspective (Greenwich, CT)
2 out of 5 found this review helpful

Absolutely zero benefit from Blu-Ray on a movie like this, not to mention this movie just flat out stinks. I am all about the serious drama, but this was the serious sleeper, as in I could not stay awake...


4 out of 5 stars A Small Independent Film with a Big Message   December 6, 2006
Grady Harp (Los Angeles, CA United States)
13 out of 15 found this review helpful

THE ARCHITECT is a film based on a play by David Grieg that deals with social class dichotomy, lack of communication in families, gender confrontations in youths, and coming to grips with decisions of the past that later haunt. Made on a budget less than a million dollars and shot in twenty days, this unique little movie packs a wallop in the most secretive and subtle way. Directed by Matt Tauber, who also wrote the screenplay with Grieg, it has a fascinating, if at times disconcerting, format of quick scenes flashed before our eyes like simultaneous conversations - and some of the power of the film is piecing those snapshots together as the film ends.

Leo Waters (Anthony LaPaglia) is a successful architect, married to a wife Julia (Isabella Rossellini) who seems on the edge of mental instability. They have two teenage children - Christine (a very fine young actress Hayden Panettiere) who at age 15 is aware of her body and yet fearful of its implications in her interactions with boys and men, and Martin (Sebastian Stan) who has returned home from school as a drop out whose mind is preoccupied with soul searching. The discord at home is matched by the incipient calamity ongoing at a Project Leo designed early in his career, a Project now physically crumbling under the weight of drug dealing, crime, and discontent tenants - all led by activist Tonya Neeley (the superb actress Viola Davis) who has one daughter at home with an early conceived baby and another daughter who has stepped out of the Projects to better her education (her twin brother committed suicide in despair of his plight in the Projects). Two families in conflict over different reasons on the surface but sharing a similarity that is demonstrated as the story proceeds.

Christina naively begins to frequent bars and is protected by a truck driver Joe (the very fine actor Walton Goggins) who kindly introduces her to the realities facing hormonally charged yet fearful young girls. Martin, in an attempt to understand the Projects problem as explained to his father and family by Tonya, visits the Projects and meets Shawn (the very fine and handsome young actor Paul James) who cautiously helps Martin discover his sexuality only to succeed in allowing Martin to discover his true sexual proclivity but meets a sad ending when he is rebuffed.

At the peak of tensions Tonya succeeds in winning over Leo's understanding of her activist dilemma, Julia breaks and leaves her family and both of Leo's children discover life lessons that will imprint their psyches permanently. Minor victories rise out of major turmoil - and the writer and director have the courage to leave the story for us to resolve.

It is refreshing to encounter a cast of actors so sensitive as this one. From the leading roles to the most minor of characters the acting is absolutely first rate. We need more films of this caliber to remind us that one of the purposes of art is to allow us to see the problems of our world. Highly recommended. Grady Harp, December 06


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